Remember Charles Alexander Jencks

Developing premium products representing Suncheon in commemoration of the Suncheon Bay International Expo 

 

 

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1939 - 2019

Charles Jencks, one of the most controversial architectural historians and critics of the last forty years, passed away on 13 October in London. 

Born in Baltimore in 1939, he studied at Harvard University, English Literature first followed by Architecture, before completing his PhD, 

with Reyner Banham as tutor, at the University College of London, city which would become his home. A unique supporter of ‘liberal postmodernity,’

 Jencks was a creative historian who reassessed, with an open perspective, modern legacy in Modern Movements in Architecture (1972), his masterwork.

 He also defended his notion of the discipline and tried to take stock of the contemporary panorama with complex taxonomies in a title inferior to the previous 

one but perhaps more influential: The Language of Post-Modern Architecture (1977). Jencks was also an active critic, excessively imaginative at times, 

and always a defender of postmodern classicism and classicism. His passion for architecture is reflected in works as personal as his own home – a sort of manifesto –,

and in the commissions – much more eclectic – to world-class architects as patron of the Maggie’s Centres. 

 

 

 

 

When you think of Charles Jencks, what comes to mind is his unique mounding technique, commonly referred to as contour gardening.

The wind hill created in Suncheon Lake Garden reveals such characteristics. This unique structure, referred to by Charles Jans as ‘topography design’, consists of an artificial hill made of earth and grass.

 

 

 

 

 

 

 

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